THE CLASS STARTED WITH A BRIEF OVERVIEW OF THE PREVIOUS TOPICS (05:06 PM)
OTHER PAINTINGS (05:08 PM)
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1) Thangka Painting:
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It was practised in the Leh Ladakh region.
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Initially, it was done on cotton sheets, In contemporary times it is also practised on canvas.
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It depicts the sino-tibetian aspect mainly the Tibetan dragon.
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2) Madhubani Painting:
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Madhubani painting was mainly practised by women on 'Mithilanchal' in Bihar.
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It was a 'Wall art'.
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Colours were mixed in rice flour to apply on the wall.
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Later the paper and canvas tradition also started in Madhubani.
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On the basis of theme there are three types of Madhubani:
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a) Aripan Madhubani: Painting is done at the entrance of the house.
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b) Gosai Ghar Madhubani: It carried religious motives and it was created inside prayer rooms.
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c) Kohbar Madhubani Painting: It was based on a love theme and created inside the bedrooms.
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One of the important features of Madhubani painting is the complete utilization of space on canvas, despite the high density it maintains clarity in the painting.
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3) Patna Kalam Painting:
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It was practised by the men of the royal courts of Bihar.
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They followed Mughal style and technique in the painting but the theme was different.
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They depicted mundane activities of daily life and hardships of the common man.
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4) Manjusha Painting:
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It was practised by the rural folk of Bihar and it is noted for the depiction of snakes in each and every painting.
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5) Patachitra:
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It emerged from the temple town Puri.
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Initially it was a palm scroll painting whose theme was based on legends of the 'Lord Jagannath'.
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In modern times, painting is practised on paper, cotton cloth and silk cloth.
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A wide variety of themes was also incorporated.
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6) Kalighat Painting:
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It is practised in West Bengal.
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This painting follows the 'Subaltern approach', whereby the life, daily activities, and religious practices of marginalized sections of society were depicted.
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7) Warli Painting:
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It was practised by the Warli tribe of Bombay, Initially wall art was created with a combination of just two colours.
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The painting started to be practised on paper and cloth also.
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The theme of Warli was based on the unique sedentary life of the tribal community and the entire range of activities in their life.
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8) Pabuji ki Phad Painting:
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It is based on the life of the mythical warrior Pabuji.
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The pastoralist community of Rajasthan pay huge respect to Pabuji and considers him the saviour of their livestock.
LANGUAGE AND LITERATURE (05:43 PM)
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Scripts and Languages of India:
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Bramhi and Kharosthi are regarded as the earliest scripts of India.
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Bramhi was practised in mainland India and Kharosthi in the North Western part.
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Bramhi was regarded as the 'Mother of the majority of Indian scripts'.
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Indian languages are considered one of the most advanced languages in the world.
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Generally majority of the Indian languages follow the Abugida system.
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In this system consonants are fully written and vowels are written as diacritic.
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Vowels are fully written when a word is going to start from the vowel.
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Literature:
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a) Sanskrit Language and Literature:
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Sanskrit is regarded as a truly international language.
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It transcends the boundary of region and religion.
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It was practised in many parts of the world and in many religions.
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The initiation of the Sanskrit language in India started with the advent of Aryans.
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In the beginning, Vedic literature was composed in Sanskrit.
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Vedic Literature in Sanskrit:
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Vedic Texts:
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A) Rig Veda:
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It is derived from the word 'Rk' which means a 'Collection of Psalms'
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Rig Veda is the earliest collection of 1028 hymns
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Rig Veda is divided into 10 Mandalas or Chapters out of which 2 to 7 are the oldest composed during the early Vedic age.
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The rest of the mandalas were composed in the later Vedic age.
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Theme wise Rig Veda can be divided into three parts:
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1) It gives a beautiful description of nature, mentioning rivers, mountains, animals, trees and the varying topography of India.
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2) It is a book of prayer and mantra with which they sought the development of a highly cultured society.
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3) It provides important details regarding the socio-religious practices of that time.
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The expert Priest of Rig Veda was referred to as 'Hotra' or 'Hotru'
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B) Sama Veda:
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It derives its name from the Sama which means 'Music'.
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It is regarded as the 'Veda of Music'.
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In the beginning, It was created by all those hymns of Rig ved which were sung.
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It mentions various rags.
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Later Gandharva Veda was attached to the Sama Veda which was regarded as the 'Rule Book of Music'
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The expert priest of Sama Ved was referred to as 'Udgatar'
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C) Yajur Veda:
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It derives its name from the 'Yajna'
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It is considered as the most popular among all the Vedas
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It provides guidelines for the performance of Vedic rituals and yajna.
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It also gives details regarding precise mathematical formulas to create religious altars.
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There are two parts of Yajur Veda i.e. Krishan Yajur Veda and Shukla Yajur Veda.
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The expert preist of the yajurveda was reffered as 'Adhvaryu'
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D) Atharva Veda:
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The origin of Arhavaveda was attributed to Atharva and Angira Rishi
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It was the most exhausting of all Vedas.
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It covers a wide variety of themes such as:
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1) Cure for 99 diseases.
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2) Book of spells and charms
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3) Botanical knowledge
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4) Astrology and Astronomy, etc.
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5) Vedic mathematics.
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Extended texts of Vedas:
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A) Brahmana:
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Brahmanas were the first explanatory books of the Vedas.
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They explained the Vedic rituals, guidelines and how to ordain the Vedic life.
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It contained a simplistic explanation of the Vedas.
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B) Arnyaka:
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These are regarded as 'Forest texts of Veda'
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It deals with the mystery of Veda.
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The knowledge of Arnyaka was disseminated in the Vanaprastha stage of life.
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Arynakas deal with questions like Life, death, soul, etc.
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C) Upanishads:
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It is derived from the word Up and Nishad.
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It means to sit near the guru to learn in 'Guru-Shishya Parampara'
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Upanishads dealt with the philosophy of Veda.
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Most complicated discussions were included in the Upanishad.
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For Example, the Purpose of life, the purpose of worship, life after death, the origin of the universe, etc.
PURANA (06:46 PM)
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Puranas hold a very important position in Hindu life.
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It expounds the ideals of Hinduism combined with legendary stories.
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On the basis of the theme Purana is divided into 5 parts:
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1) Sarga: It deals with the 'Creation of the Universe'
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2) Pratisarga: It deals with the 'Destruction of the Universe'
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3) Vamsa: Dynastic History
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4) Vamshanucharita: Geneology of Gods
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5) Manvantara: The story of the first human beings Manu and Ila.
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There are a total of 18 Puranas.
CLASSICAL SANSKRIT LITERATURE (06:58 PM)
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Mudrarakshasa: Visakhadatta was the writer, It narrates the ascent of King Chandragupta Maurya to power in India.
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Mrcchakatika (The little clay cart): Shudraka, It was Satire on society.
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Devichandraguptam- Visakhadatta (Biography of Chandragupta II)
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Harshacharita -> Banabhatta (Biography of Harshavardhana)
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The literary works of Kalidasa:
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A) Dramas:
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Abhigyan Shakuntalam: Love affairs of Dushyant and Shakuntala
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Malvikagnimitra: Love affairs of Princess Vidisha and Agnimitra Shunga.
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Vikramorvashi: Love affairs of Pururava and Urvashi
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Kumarsambhavam: Marriage of lord Shiva and Parvati and birth of Kartikeya, It also deals with the making of the young god Kartikeya.
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Raghuvaá¹Åa: Story of the clan of lord Rama.
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B) Poetry:
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Ritusamhara: Medley of Seasons
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Meghdootam: Love letter through clouds.
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Sanskrit Grammer:
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Astadhyayi: Panini
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Mahabhashya: Patanjali (Commentary on Panini's Astadhyayi)
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Amarkosha: Amarsimha. (Lexicography of Sanskrit)
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Other Texts:
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Charak Samhita: Written by Charak (Book of Ayurveda)
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Sushruta Samhita: Written by Sushruta (Book on surgery) It also mentions surgical instruments and plastic surgery, Nose reconstruction surgery, and Ophthalmic surgery.
BUDDHIST LITERATURE (07:18 PM)
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Buddhist literature is generally divided into Canonical and Non-canonical literature.
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Canonical Literature |
Non-Canonical Literature |
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It is regarded as the most sacred literature of Buddhism.
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Non-canonical literature was derived from Canonical literature. |
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It was based on the direct doctrines of Buddha and the traditions established by Buddha. |
They are also highly revered and respected and often explain the doctrines of different branches of Buddhism. |
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It was written only in the Pali language. |
They were written in both Pali and Sanskrit languages. |
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It includes:
Sutta Pitaka: It contains the original teachings of Buddha.
Vinaya Pitaka: Rules and regulations to be followed by the Buddhist monks.
Abhidhamma Pitaka: Philosophical interpretation of Buddha's teaching.
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(Sanskrit) Buddhacharita: Aswaghosh
(Sanskrit) Lalitavistara: Sacred literature of Mahayana Buddhism
(Sanskrit) Mahavibhas: Encyclopedia of Buddhism.
(Pali) Mahavastu: Sacred text of Theravada.
(Pali) Mahavamsa and Dipavamsam: Both are Sri Lankan chronicles of Buddhism.
(Pali) Therigatha: It was the unique text of that time which was authored by the women and attributed to the women. It talks about women's experience of renunciation.
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'Jataka Kathas' are part of Khuddaka Nikaya a chapter in Sutta Pitaka.
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JAIN LITERATURE (07:33 PM)
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Jain literature was mainly written in the Prakrit language.
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The compilation of Jain literature happens in the first and second Jain councils.
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It includes text like purvas, ang, Upang, Prakirnas, Agama, Chedabsutra, Mulsutra and Bhagavati sutra.
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Jain literature was the unique text of that time which not only compiled its own doctrines but also the doctrines of rival religions i.e. Buddhism, Hinduism and Ajivikas.
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It is also a very important source of the Mahajanpad history of India.
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Particularly Bhagwati sutra gives detailed accounts of Mahajanpad History.
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Moreover the dynasties which ruled in the eastern part of India were elaborately covered in Jain literature.
TOPIC FOR THE NEXT CLASS: SANGAM LITERATURE.